8/19/2023 0 Comments Laika come home![]() “At the time, we were teaching ourselves how to do a lot of this, as well as sort of pioneering some brand new techniques,” McLean explained. With “Coraline,” LAIKA merged replacement animation - which had been around for nearly 100 years - with 3D printing, which was in its infancy back in 2006. Early methods used claymation or a technique called “replacement animation,” where each puppet would have a different series of hand-sculpted faces that could be popped on or off, according to each character’s mood. This commitment to the creative process is seen throughout the “Hidden Worlds” exhibit, starting with LAIKA’s early innovations with “Coraline.” Stop-motion animation uses 24-frames-per-second – where, essentially, 24 subtle movements of a character are used to create one second of animation. Brian McLean, LAIKA’s director of Rapid Prototype, described their warehouse as akin to “Santa’s workshop,” where “there’s so much attention paid to giving artists, technicians and creative individuals just access to whatever tool, whatever resource they can possibly imagine to make these films.” Their presence and candor illuminated an organization that is close-knit and eager to serve a creative vision. “ParaNorman,” for instance, pulled from the haunting modern-day setting of Salem, Massachusetts “The BoxTrolls” drew inspiration from steampunk aesthetics and “Kubo and the Two Strings” took classical elements from feudal Japan and mixed them with more fantastical reimaginings.ĭuring the exhibit’s March 16 press preview, many of LAIKA’s key personnel were on site to offer insights into LAIKA’s inner workings. Within each section, it also becomes clear that a world of cultural research and technological development goes into creating each film and that while all films shared a similar overall process, no film shares a similar world. The album was released in various countries in July 2002.On display for each film are many similar components - full-scale puppets of key characters, mood boards featuring different wardrobe elements and massive, intricately-detailed set pieces. US Top Dance/Electronic Albums ( Billboard) Spacemonkeyz – additional production, re-mixing.Dan Nakamura – production (tracks 1–6, 8–12).Tom Girling – co-production, engineering, Pro Tools.Simon Katz – guitar (track 6), organ (track 12).Pete Collins – incendiary device (track 5). ![]()
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